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Archive for the ‘suzuki music education’ Category

The attached article deals with a topic I especially have trouble- making up piano lessons.  Teaching piano is such a joy!  The lessons bring beautiful children and loving families into my home.  Our relationships become very close and I often think of the kids as my own.

But there is a fine line when mixing business with friendships.  My policy clearly states that I offer make up lessons only for sickness.  I also give parents a copy of my schedule so they have the option of trading lesson times with another student.  Even with this, parents are constantly asking me to make up their child’s lesson.

I love the families with whom I work.  I don’t want to have hard feelings or lose their friendships.  But when a parent asks to have their child’s lesson made up it is very uncomfortable.

The Suzuki parent who wrote the article below, I think, says it well.

If you are a piano parents or teacher, please read and pass along.

http://ottawasuzukistrings.ca/makeuplessons

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I was put in an interesting situation with one of my advanced students.  For the past year, I told him that it was time to move on to a new teacher. Although we had only been together a few years, his progress was like a wild fire.  He would accomplish my weekly goals and then create some of his own.  A piece that would normally take a student months to accomplish he would devour in a month.  But, as with most students, he was reluctant to change to a new teacher.  Devotion develops and personal relationships grow strong.

Last summer there was a clinician in town from a well known music conservatory and we decided to do a master class with her.  It was a good experience for all.  She too took interest in his unique talent.  Although it broke my heart, I encouraged him to pursue lessons with her.  I sat down with the professor and the family and yet his loyalty to me continued.  He was not ready to make a change although his parents knew it would be in his best interest.

After much conversation a decision was made to share lessons, every other week between the two teachers.  I was the most hesitant to agree.  Would the teacher and I see eye to eye?  Would my lessons seem immature to him once he experienced them back to back with the professor?  But most of all, would my teaching look misguided from the point of view of the professor?

The only request the professor made was the she would be choosing the repertoire.  I was more than happy to comply.  We talked about technique, his strengths and weaknesses and began the duel teaching arrangement in September.  I am pleased to report that after 6 months we all feel very good with the plan.  I sat the family down to evaluate  the situation last week and they are extremely pleased.  They felt that the professor and my goals were one, but that in the lessons we approached the goals from different angles.  Another noted difference was that the professor worked with technical details where I looked more at shaping the entire piece.  The family feels that we really compliment each other and that the boy is getting the best of both worlds.

Would I recommend this strategy to others?  The answer is no.  I am very fortunate to have found a professor that is willing to keep communication open with the family and me.  The other fortunate thing is that she has respect for me as an educator.  I show no pretense and would beckon to her teaching, but she puts no pressure on me and does not undermine my work.

At this point, we’ll see where it leads.  It’s nice to have respect among educators, because it really is all about the child.

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I have presented the idea of skype piano lessons in my blogs.  Many  have clicked and read the entries, but I am not getting “let’s do it” responses.

I realize that anyone can pick up on the idea to give skype lessons.  I also realize that there are many piano teachers out there that hang their shingles claiming to be a piano teacher who may have taken lessons as a kid, but do not have a music degree.

I am a credited music educator with a masters in music education and a concentration in piano pedagogy.  I have taught and lectured at a Suzuki institute for 10 years and teach private piano and public school music.  I do not work for a virtual company.  I am a solo educator interested in getting to know people and teaching others from around the world.  A very simple but amazing idea.

Interested in giving it a try?  All you have to do is respond to this blog, and we’ll take it from there, one on one, no company or gimmicks attached.

Let me know what you think.

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Since the waters have been calm and rather uneventful, it’s been a while since I have written.  My year with my piano studio was amazing and as I often tell the kids, “I have the best piano students in the world”.  The one thing that makes this group unique is that they are very good friends and have fun together with music.

After our May recital, I typically start fresh with new and lighter music for the summer.  I try to incorporate pop music (which I try to discourage during the school year) , focus on easier literature to build reading skills, and I don’t get too upset if the kids don’t practice.

As I said in another blog, my students often surprise me with music they have prepared on their own or surprise me by working on duets and play them for group lessons.  Well, after our recital there was a lot of whispering and giggling, more than usual, so I knew something was brewing.  What was going on?  They were placing bets against each other.  Two of the kids decided they wanted to play Rhapsody in Blue as a duet and the others were waging bets on whether or not the duet team would have it accomplished by our September group night.  They were putting money down on the table for or against the deadline.  I have a small studio, 3 elementary kids and 7 high school kids.  But there was $22.00 down saying the duet team could not reach the target date.  What incentive for the duet team!

This is what I call positive peer pressure.  They have so much fun sharing their music and they really look forward to the group  nights.  Group nights are once a month and  very informal, but the students perform for their families in a mini recital fashion.  Pieces are to be memorized, which gives pointed goals every month.  This is especially hard for advanced students.  They are often memorizing more than once piece at a time preparing for future group nights.  However, it’s ok to replay a prior piece or to choose a piece from years gone by, although that  hardly ever happens.  The students look upon that as an embarrassment, which once again motivates them to progress.

Well, the duet team has been working during the summer.  For the most part, notes are learned and we are now working on musicianship and conversation between the parts.

What’s my bet?  I would put money down that they will perform Rhapsody in Blue in September.  What’s your bet?

I’ll keep you posted.

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Although my educational background certainly helps, most of my best teaching moments are purely reached by spontaneity and luck.  (Note:  This post is duplicated under “Listening Brings Musicality” )

One of my students I acquired purely by being at the right place at the right time.  GG (I’ll call her GG because she is a gorgeous girl!) was in 8th grade ready to give up  taking piano lessons.  Her disheartened mother thought she’d give it one last chance and enrolled her in the Kingston Suzuki Institute for the summer hoping to peak her interest.  GG was placed in  my theory class and, little did I know, she was from my home town.  I had never met the family.  Well, she and I had a lovely week together and by the end of the week I was asked to take her on as a student.

We started working together that summer and 4 years later, she is getting ready to perform her senior recital.  The first couple of years she soared.  She loved the music I chose for her and the new ideas I brought to her playing .  In the next two years she was overcome by the rigor of junior and senior year classes.  Not only this, she excels in skating and running, so needless to say, her practice time dwindled.  We continued lessons with smaller accomplishments.  By October this year, she had chosen a college and I began to think about how we would finish her year. She had started with one of the pieces from Debussy’s Children Corner Suite  and she loved it.  Being a Suzuki teacher, I recommended that she listen as she learned.  She really loved the piece and wanted to learn others from the suite.

GG is a very good player, but, in my eyes, not  extraordinary.  I thought since it was her senior year it would be good to give a private recital, but I was unsure of her ability.  As she learned Doctor Gradus I discussed impressionism and related it to art.  As she played I began seeing painters works in my mind:  Monet, Dega, VanGogh.  So I mentioned that it might be fun to create a power point along with the piece that she could show as she performed.

The idea blossomed.  In two weeks GG will give her senior recital.  She has created visuals for the entire Children’s Corner Suite and perfected the pieces.  Now this is the really interesting part…….

To create the power points for each piece she researched artists,  impressionism, and had to listen to each piece a million times to make sure her frames of art for each piece were aligned perfectly as she played.  She used the CD to create these power points, which meant she was listening to concert pianists perform them.  From doing this her artistry in playing soared.  I am left breathless after she plays each piece.  Her nuances are perfectly executed.  Artistry is not an easy thing to teach.  Listening provides an insight to performance ideas.

She has decided to create invitations for her recital and create her own program with notes on each piece and her approach to her visual presentation.

Although GG is not going majoring in music during college, at her last lesson she said that she is going to continue piano lessons there.  What a surprise from a girl who was ready to quit 4 years ago!   She has loved our project and it has given her new insight to music.  Not only that, it has inspired her to continue her music education experience.

Think of her on May 30th as she performs her senior recital.

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Although my educational background certainly helps, most of my best teaching moments are purely reached by spontaneity and luck.  (Note:  This post is duplicated under “Combining piano lessons with art” )

One of my students I acquired purely by being at the right place at the right time.  GG (I’ll call her GG because she is a gorgeous girl!) was in 8th grade ready to give up  taking piano lessons.  Her disheartened mother thought she’d give it one last chance and enrolled her in the Kingston Suzuki Institute for the summer hoping to peak her interest.  GG was placed in  my theory class and, little did I know, she was from my home town.  I had never met the family.  Well, she and I had a lovely week together and by the end of the week I was asked to take her on as a student.

We started working together that summer and 4 years later, she is getting ready to perform her senior recital.  The first couple of years she soared.  She loved the music I chose for her and the new ideas I brought to her playing .  In the next two years she was overcome by the rigor of junior and senior year classes.  Not only this, she excels in skating and running, so needless to say, her practice time dwindled.  We continued lessons with smaller accomplishments.  By October this year, she had chosen a college and I began to think about how we would finish her year. She had started with one of the pieces from Debussy’s Children Corner Suite  and she loved it.  Being a Suzuki teacher, I recommended that she listen as she learned.  She really loved the piece and wanted to learn others from the suite.

GG is a very good player, but, in my eyes, not  extraordinary.  I thought since it was her senior year it would be good to give a private recital, but I was unsure of her ability.  As she learned Doctor Gradus I discussed impressionism and related it to art.  As she played I began seeing painters works in my mind:  Monet, Dega, VanGogh.  So I mentioned that it might be fun to create a power point along with the piece that she could show as she performed.

The idea blossomed.  In two weeks GG will give her senior recital.  She has created visuals for the entire Children’s Corner Suite and perfected the pieces.  Now this is the really interesting part…….

To create the power points for each piece she researched artists,  impressionism, and had to listen to each piece a million times to make sure her frames of art for each piece were aligned perfectly as she played.  She used the CD to create these power points, which meant she was listening to concert pianists perform them.  From doing this her artistry in playing soared.  I am left breathless after she plays each piece.  Her nuances are perfectly executed.  Artistry is not an easy thing to teach.  Listening provides an insight to performance ideas.

She has decided to create invitations for her recital and create her own program with notes on each piece and her approach to her visual presentation.

Although GG is not going majoring in music during college, at her last lesson she said that she is going to continue piano lessons there.  What a surprise from a girl who was ready to quit 4 years ago!   She has loved our project and it has given her new insight to music.  Not only that, it has inspired her to continue her music education experience.

Think of her on May 30th as she performs her senior recital.

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In the past, I have kept a wooden box of chocolates by the piano for the kids to treat themselves after their lesson.  Lately I think I will also have a box of tissue.

Yesterday I had lessons with a brother/sister team.  The kids had a grandmother that was quite musical and the children’s mother is probably more musical than she admits.

The mom is very conscientious in practicing with the children and they always come to their lessons very prepared. Well, I guess the kids had a rough week of practicing.  The boy was working on a Bach minuet and hit a mental block and his sister was having a difficult time keeping all the songs in the Suzuki Book one memorized since she is a real visual learner.

As always, the kids played very well at the lesson with no hint of having had a stressful week.  After the lessons, the mom broke down in tears.  She was overwhelmed with pride.  The hard work not only paid off for the kids, but also for the hard working mom/coach.  She was crying for the children’s success and for the loss of her mom knowing how her mother would have loved to be experiencing her grandkids.  It was quite touching.

This is not the first time I have had a mom cry during a lesson.  I have had parents cry out of appreciation for what I have done for their kids, I have had them cry out of frustration implementing the role of the home coach, and mostly, I have had parents crying out of pride.  I have sat in that parent chair with my own kids and know those tears well as I have shed them for all the same reasons.

Parenting is not an easy job.  It is certainly the hardest job I have ever had.  But, when one enters the job with their heart and soul, the benefits are many.  Being a Suzuki parent takes perseverance and patience. It taxes the relationship at times and it enhances the relationship at other times.  My number one advice to a Suzuki parent is be consistent and never give up.

I offer my students chocolate at my piano lessons.  I offer the parents chocolates, tissues, and love.

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